![]() ![]() And those people become symbols for future generations. Ivan said, "Not every day, but some days, we get to make sculptures of people who have meant something, who've done something, whose contribution to our lives, American life, has had meaning. Each step of the process belongs to an artist. Debra Schwartz, the director of projects for Studio EIS, which helped design and sculpture the statue, said her company never intended it as a historical record but a symbolic representation. About 1,400 people attended two virtual programs that. The inspiration for founding the studio stems from the. More than 1,300 people attended 18 virtual studio tours with participating artists. Finishing touches on the model of a statue of President John F. Founded in 1976 by brothers Ivan and Elliot Schwartz, and later joined by their sister, Debra. When the idea comes through, the crafting begins, from the clay foundation. We almost begin to laugh every time we see it, because, 'Oh, look, there it is again!'" The button in clay. Ivan said, "Now, none of us knew this, but as we started watching films, he would constantly touch his coat jacket button. I went through everything about Kennedy – his jacket, his hair, his tie, his handkerchief in his pocket, his shoes, his socks, his cuff links … very meticulous."Īnd it is this measure of study and observation that makes Schwartz' statues particularly relatable. And I looked at movies, videos of Kennedy. She told Reid, "I would say I looked at 33,000 photographs. "So, we all sort of bang our heads together, and then begin looking at the imagery."ĭebra Schwartz is director of projects at Studio EIS, and is sister to Ivan and Elliot. "The client – in this case, the Kennedy Center – all they told us was that they wanted something that was approachable," said Schwartz. So, any physical representation of him had to be realistic. Young, handsome, and energetic, the public came to know his face, his gestures long before he was immortalized by his assassination in 1963. Schwartz said, "When you look at pictures of Kennedy, he was smiling, he was the great new president who was on television. Kennedy, a new addition to the Kennedy Center for the Performing Arts in celebration of its 50th year, an undertaking funded by billionaire investor and philanthropist David Rubenstein. I leave the real world, and enter a little fantasy world where I am thinking, 'What are you gonna' do with this person who's been represented so many times before?'" At Studio EIS, Ivan Schwartz (center) oversees the work of artists creating monumental statues.Ī monumental hurdle for this particular commission – a sculpture of President John F. Schwartz works in a style similar to that of Michelangelo and many other great sculptors: he oversees the work of a team of skilled artists: "These guys can do what I used to do way better than I ever could. "And you have to think very hard, because what we're going to wind up with is an inanimate object." "No, you have to think about what you want to do," Schwartz said. CBS News chief Washington correspondent Chip Reid asked, "There's that famous quote from Michelangelo or somebody, 'You just chip away from the marble, whatever does not look like the person.' Makes it sounds so simple. ![]()
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